In the third 听event of fall 2018,听, renowned theologian and former archbishop of Canterbury, spoke Monday (Nov. 26) to a capacity crowd in the Dahnke Ballroom at the University of 91吃瓜.
In his introduction of Williams, 91吃瓜 President , said, 鈥淭hroughout his career, Williams has been that rare theologian who can speak effectively to the academy, to the Church and the larger public.鈥�
Williams鈥� lecture, invited attendees to consider the closing words of 鈥淭he Tempest,鈥� spoken by Prospero, in the final dramatic speech of William Shakespeare鈥檚 canon:
鈥淎nd my ending is despair,
Unless I be relieved by prayer,
Which pierces so that it assaults
Mercy itself and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.鈥�
鈥淪hakespeare was interested in prayer,鈥� Williams said. 鈥淗e was interested in the ways in which prayer is frustrated, misdirected, made possible or impossible, by the acts in which people are implicated.鈥�
Williams noted that one of the features of Shakespeare鈥檚 plays is how he 鈥渨ill allow his plays to talk to each other 鈥� a theme is explored, staged, dropped, rediscovered, re-staged.鈥� 听
Rowan Williams. Photo by Matt Cashore/University of 91吃瓜.
With an eye toward understanding 鈥淧rospero鈥檚 strange and enigmatic farewell at the end of 鈥楾he Tempest,鈥欌�� Williams鈥� lecture surveyed a succession of prayers in Shakespeare鈥檚 plays. He examined Henry V鈥檚 soliloquy prayer on the role of monarchs and the challenge of inherited fault; the prayer of Claudius in 鈥淗amlet,鈥� who attempts repentance without restitution; and the shame of Angelo in 鈥淢easure for Measure,鈥� who cannot fathom living with a shattered image of himself, even after being pardoned by the duke. Williams noted that while Shakespeare鈥檚 characters in these instances appeal to grace, they seek to make that grace an instrument of control, thus frustrating their own efforts at reconciliation.
鈥淚n all of these instances, part of what is drawn out in Shakespeare鈥檚 dramas is the powerlessness that results from the search for power,鈥� Williams said. 鈥淒eploy your utmost capacity for power to secure your position and you end up in hell, which is the ultimate powerlessness of the ego.鈥澨�
Circling back to Prospero鈥檚 wish to be relieved by prayer, Williams likened 鈥淭he Tempest鈥檚鈥� central character to a dramaturg 鈥� one who stages a process, constructing encounters, characters and relations, all designed to draw out buried truth. Prospero sets himself apart from these other Shakespearean characters, according to Williams, by his ability to step out from the role of dramatist.
鈥淲e hear (Prospero鈥檚) renunciation, but he needs prayer from other people,鈥� Williams said. 鈥淗e needs the audience. He needs us to put our hands together at the end, not only to applaud, but also to pray. He needs gentle breath of yours, he needs Spirit and he needs us to breathe into his sails so that his journey may proceed.鈥�
Appealing to the audience in closing, Williams said: 鈥淥ur response to this fictional character鈥檚 plea tells us something crucial about our response to the nonfictional characters we encounter around us. For a fleeting moment, the theater comes to look just a little bit like the Body of Christ.鈥�
Williams shepherded the Church of England as Archbishop of Canterbury from 2002 to 2012. He is a leading figure in the study of religion and literature and currently serves as Master of Magdalene College at the University of Cambridge. He was elected a Fellow of the British Academy in 1990 and a Fellow of the Royal Society of Literature in 2003.
Educated in theology at both Cambridge and Oxford, Williams is the author of dozens of books and articles on Christian theology, belief, poetry and icons. His 2005 book, 鈥淕race and Necessity: Reflections on Art and Love,鈥� draws on the works of Catholic thinkers and artists like Jacques Maritain, Flannery O鈥機onnor and David Jones to explore听how human beings open themselves to transcendence. Williams is a noted poet and translator of poetry and, in addition to Welsh, speaks or reads nine other languages.
Since its establishment in 2005, the听has featured major talks by leading authorities on issues of importance to the University, the nation and the larger world, including the challenges and opportunities of globalization, the role of presidential debates, immigration, sustainability and the place of faith in a pluralistic society. The 2018-19 91吃瓜 Forum is themed 鈥淭he Catholic Artistic Heritage: Bringing Forth Treasures New and Old.鈥�
For information on upcoming 91吃瓜 Forum events, visit听.听
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